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Theater photography from an earlier age on Pittsburgh's North Side
In the mid to late 1970s, I managed a barely successful nightclub on the North Side of Pittsburgh called the Home Circle Club, which sounded more like a knitting circle than the gay girls bar that it was when my family took over the license.
The club was in a white, brick building with a forty-foot chiseled- hill looming over it. Branches and rocks often tumbled down onto the graveled roof that leaked whenever it rained. Parking was on residential side streets, and public transportation was a shadowy walk through a shuttered neighborhood.
Faux-oak paneled walls surrounded the oval bar and a pool table on the upper level, and table seating overlooked the lower level, which had an oversize stage with a dressing room and a dance floor lit up by strings of Christmas lights flashing to disco beats. An industrial gas heater hanging from the ceiling rumbled like an idling bus through the long Pittsburgh winters, and in summer, pedestal fans churned sweltering air, mixing cigarette smoke with the smell of sour beer.
Our bartender staged a walkout with her customers shortly after we took over, saying she said she didn't like the way we were running the place. Fortunately, I had known Pittsburgh's gay scene for years, so my friends and I fanned out through the bars to bring in new business. Friends brought their friends and we collected a congenial mix of gay and straight patrons who found the atmosphere homey and comfortable. Some came just for the homemade meals that mom cooked on Wednesdays and Sundays. It was a family operation.
Among our new customers were actors from local theater groups, among them, Gorman Lowe, who also became a good friend. Gorman had recently played a seriously overweight King Herod in Jesus Christ, Superstar, furiously pedaling an exercise bike while singing his part. He was a brilliant actor and playwright, and a very witty man. Gorman recognized the club's potential for theater, and it wasn't long before he proposed a theater production designed for our humble stage. His and fellow producer / actor KC's musical comedy, Bosom Buddies, was the first in a string of performances by dozens of multi-talented actors, singers, choreographers, costume designers and musicians. Each show was written, directed and scored by the actors, who usually also played the leading roles. They were comedic geniuses, and audiences loved them.
The Wizard of Odds
The shows needed publicity and I was thrilled to provide photography for it. Most of the photo work I had done prior to this was quiet stuff that required little in the way of interpersonal skills. It became a real joy to work among these talented, creative and often zany people. Our time together was magic and fun, and I love how it shows in these photos we made.
What's a Nice Place Like This Doing in a Girl Like You?
Joyce Lewis was another one of the mega-talented actors / actresses who regularly produced and performed her own shows at the club, and also performed as a cast member in others. Each producer had his or her own entourage and Joyce's troupe, combined with her quick wit, sparkle and charm, made for a successful string of performances over several years at the club. What's a Nice Place Like This Doing In a Girl Like You included a wide variety of musical and comedy skits.
Dann Howard was a member of the theater group who also had his own gig hosting Saturday afternoon Sci-Fi films as Scorpio on WPGH channel 53, one of Pittsburgh's few UHF stations at the time. Like most of the other producers, Dann opened both his Home Circle productions and his television show to friends and colleagues. Scorpio had many gay overtones in its skits, and in August or September, 1977, the series was cancelled following the airing of an egregiously politically incorrect spoof of a Japanese horror film.
The Home Circle theater productions ran over about two years, between 1977 and 1978.
Some of the images are scans from vintage prints (including some Ektacolor prints that I processed myself back then) and others, both B&W and color, are from recent negative scans. The old Eastman 5247 negatives were the most difficult. The Kodak color negatives still look great and were not too difficult. The B&W negatives, of course, held up the best.
Click through the gallery below to see additional images:
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